Program

Performances

©Robbie Sweeny
UNTITLED
Choreography & Performance by Ishmael Houston-Jones in collaboration with the performers
Rooted in themes of personal biography and social justice, Ishmael Houston-Jones directs an evening of experimental choreography through improvised scores. Featuring a cast of diverse invited local and international dance artists through an intensive festival creation process, Houston-Jones draws on over 50 years of dance, performance research, and life experience to employ various forms of movement and spoken improvisational techniques that deeply move and provoke. The work asks us to consider more fully what it means to be alive as it traverses the unknown.
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Accessibility:
TBA

Content Note:
TBA
DOCK 11
19 Nov, 2026
19:30-20:30
DOCK 11
20 Nov, 2026
19:30-20:30
DOCK 11
21  Nov, 2026
19:30-20:30
DOCK 11
22 Nov, 2026
19:30-20:30
FEATURING
©Mayra Wallraff
PERREO ENTRE LOS MUNDOS
Choreography & Performance by Auro Orso
Hypnotized by the genderqueer power of the ass and conjuring different versions of his drag king persona through the perreo (“dogging“) dance style, the performer sheds layers and oscillates between pleasure, distortion, and transformation. Reggaetón is examined as a cultural force, tracing its origins while interrogating the white supremacist power structures that have influenced its recent development on the market, and opens a larger outlook on questioning our way of consuming marginalized cultures and othered bodies. The choreographic work is accompanied and haunted by the poems of Chicano author Gloria Anzaldúa and her concept of “almas entre dos mundos” – shapeshifting souls navigating between multiple worlds in terms of gender, race and identity. By embracing fluidity, hybridity, contradiction and self-reflection of positionality through the body, this work invites the audience to engage with the complexities of gazes, entitlement, and privilege.
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Accessibility:
TBA

Content Note:
TBA
DOCK 11
12 Nov, 2024
19:30-20:30
DOCK 11
13 Nov, 2024
19:30-20:30
FEATURING
©TBA
TBA
TBA
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Accessibility:
TBA

Content Note:
TBA
DOCK 11
14 Nov, 2024
20:30-21:30
DOCK 11
15 Nov, 2024
20:30-21:30
FEATURING

Workshops

©Robbie Sweeny
Embracing the Awkward
Ishmael Houston-Jones
In creating improvised movement work, either in solos or groups, it’s important to allow oneself to be curious and to go places that may not be familiar. Finding ways to explore this safely is key. Mistakes are opportunities for learning. Challenging oneself while at the same time prioritizing care, (of oneself and of a group,) can lead to exciting and unexpected discoveries. We will use Improvisation Techniques into creative art making.
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Accessibility:
TBA

Content Note:
TBA
Tanzfabrik Berlin Schule
14 Nov, 2026
16:00 - 18:00
Tanzfabrik Berlin Schule
15 Nov, 2026
16:00 - 18:00
FEATURING
©Amanda Tipton
Queer Love Practices for the End of the World
Makisig Akin & Anya Cloud/The Love Makers Company
This workshop asks "How can queer practices of pleasure and survival support us in the midst of our own and collective failure?" and “What if failure is not the end, but the beginning?” We will engage with practical and fantastical queer love-centered practices toward collective thriving. We will tend to the relationship between pleasure and survival through moving together and being together. We will practice building explicit and secret practices in order to liberate our dancing/living and find our collective power. We will build skills for navigating around that which has potential to be fatal. Queer Love Practices for the End of the World is a re-entry into our ongoing research questions "What can we do together that we cannot do alone?" and “What is possible when love is stronger than fear?” Through our intersectional identities, we may draw on contact improvisation, improvisation, Brazilian Jiu Jitsu, Kung Fu, Feldenkrais®, dance making, imagination, relational practices, moving meditations, play, games, and activism. We invite you to take a journey with us — of falling in love — that changes us in ways that might give us more capacity for what's to come after the end of the world.

We will practice taking care as we traverse the complex realities of being racialized and gendered bodies in relationship with one another. This will be a queer, trans, and BIPoC centered space where everyone is welcome. The research material includes building skills and practices of agency, consent, touch, positionality, generosity, endurance, risk-taking, decision-making, and collaboration. We will develop our individual and collective capacity through dancing, verbal discussion, and reflection.
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Accessibility:
TBA

Content Note:
TBA
FEATURING
©Manima Gleissner
Exploring Sensuality through Dance
Workshop with Fountain Fantasy
How can we perform sensuality while staying connected to our own pleasure and joy? In this workshop, we will explore sensuality through the senses, movement, and dance. Through a combination of warm-up exercises, technique, and choreography, we will experiment with different ways of embodying and performing sensuality while finding joy in the experience ourselves.The workshop includes an introduction and welcome round, a sensory exploration, technical exercises, choreography and a cool-down.
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Accessibility:
TBA

Content Note:
TBA
Karada House
12 Nov, 2026
14:00-15:00
FEATURING

Residencies

@Odelia Toder
Weaving Belonging
Residency Showing by Sointu Pere

This is a showing from an embodied research process exploring sensuality, identity, and belonging through movement. I am interested in identity as something fluid and continuously emerging through the body. Through movement, I explore how sensuality is experienced in the body: what rhythms and sounds invite it, how slowness can create agency, and how different somatic states can invite emotional release. The research draws inspiration from social and club dance cultures. I approach these forms as cultural spaces of soulful groove, communal care, and embodied survival strategies. This research also engages with the politics of being seen. As a Black queer body often subjected to objectification, I ask how sensuality and the act of taking up space can be reclaimed while maintaining authorship over my own narrative, and how movement can become a site for negotiating belonging and not-belonging. How does intimacy shift under the gaze? Can pleasure remain self-defined in a performative space?
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Accessibility:
TBA

Content Note:
TBA
FEATURING
FIRST COME. FIRST SERVED.

Conversations

Opening Event
COM CHOR Performance & Keynote Speech by Alexis Pauline Gumbs. Followed by Community Conversation moderated by Makisig Akin & Nara Virgens with leading organizers
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Accessibility:
TBA

Content Note:
TBA
Prinzessinengarten
07 Nov, 2026
TIME TBA
FEATURING

Celebration

Celebration
with OUCH
Location TBC
12.October, 2024
21:30-23:00
FEATURING